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Theatre One at Theatre Row

My Mother’s Severed Head

September 16, 2021

Sadly, these promises aren’t kept in this mishmash of plots and characters that never quite meshes into a viable whole; it remains an unsteady comedy/fantasy never morphing into a smooth-running play.  Cissel awkwardly interrupts the play, alternating reality—such as it is—with colorful dance/mime sequences.   The characters—including the Mother/aka Severed Head—yell at each other, most often about that poor, ubiquitous head, garishly made up for the Mexican celebration of El Día de los Muertos. Every time the head speaks her mind the play comes to impudent life. [more]

Confidence (and the Speech)

November 24, 2019

Political plots can be dry as toast. Hatem attempts to spice things up by crossing the genders of the actors playing Carter and young Cynthia; the convention is an interesting choice although it really doesn’t add any new light to the characters or story and is sometimes distracting.  Not to worry, though, the script is smart, imaginative, humorous at the right times and keeps its audience interested. [more]