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Robyne Parrish

Chasing the River

February 12, 2020

The subject matter of "Chasing the River" is, of course, viable, but the play is not as nuanced and insightful as one would hope—nor is it particularly gripping. Sometimes the action feels stagey, and at other times it seems undercooked. Particularly problematic is the role of Nathaniel who is written and acted quite one-dimensionally. True, Giebel offers at least one surprising aspect of the character: We learn that he wanted a sports-playing boy-child, not daughters, and that he treated the tomboyish Kat (then called “Katie”) as a substitute for a son. We learn that he was able to gain Katie’s trust, which he then insidiously betrayed. We never wonder, however, whether he is anything other than an unrelenting nightmare of a person. There are scenes in which we see him being pleasant to Katie, but his bullying monstrousness seems always apparent. Most creeps—even the alcoholic ones—manage to hide their ugly sides now and then. [more]

The Giant Hoax

November 30, 2019

"The Giant Hoax" is a charming morality tale about telling the truth and growing up. The expert hands of director Christopher Michaels and choreographer Molly Model are clearly at work in all aspects of this production, bringing a touching story with affable songs and clever lyrics to life with a cast of first rate actors, a fine ensemble, and inventive and humorous choreography. This show will never get any bigger than it is, but it’s big enough to fill the hearts of its audience to bursting, as long as actors of this production’s caliber are playing it. [more]