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New Light Theater Project

Less Than 50%

August 17, 2018

Though there are recurring references to Woody Allen and more specifically to "Annie Hall" during the 90-minute piece, "Less Than 50%" bears as much resemblance to that Oscar-winning film as Gianmarco does to a matinee idol. (According to Gianmarco, his play is not a “rip-off” of "Annie Hall," as Laura says it is, but an “homage.”) It’s telling that instead of the hysterical scene with lobsters in the kitchen in "Annie Hall," we have to contend with a mouse and a mousetrap in "Less than 50%." [more]

the hollower

May 25, 2018

Bit and Otto recall tomboy Frankie Addams and Berenice the maid from Carson McCullers’ "The Member of the Wedding" while Pigman and Missy parallel Pozzo and Lucky from Samuel Beckett’s "Waiting for Godot."  There’s an arctic sequence out of Tony Kushner’s "Angels in America." The dialogue contains a lot of contemporary academic jargon and it all could be interpreted as some sort of Millennial exploration. [more]

Hal & Bee

March 23, 2018

Baker’s lines are spiky and colorful, often dark, sometimes banal, but his portrait of these two and the two lesser characters is always illuminating and full of real emotion.  The fade-out, a quiet revelatory moment, is simply lovely—and sad. [more]

Breeders

September 28, 2017

There are plentiful comic one-liners and also sharp observations in Mr. Giles’ well-crafted dialogue.  Giles perfectly renders all four characters with personality details and traits.  The tensions, concerns and sensibilities of the long-term gay couple all ring true, but interspersing these with the mildly entertaining hamster story feels like a strategic theatrical device that undercuts the main plot to no great effect. [more]

Strange Country

July 26, 2016

These are among the choice zingers in playwright Anne Adams’ emotionally raw, earthy and often very funny contemporary dysfunctional Texas-set, family drama, "Strange Country." This entertaining piece of Americana has the humanity of Lanford Wilson, the quirkiness of Beth Henley and the unruliness of Sam Shepard. [more]

Monte Cristo

February 3, 2016

safe guess would be that most audiences coming to see New Light Theater Project’s adaptation of Alexandre Dumas’ "The Count of Monte Cristo," one of most classic and exhilarating works of all time, are quite familiar with the material. A tragic tale of a man imprisoned for a crime he didn’t commit leads sailor Edmund Dantes to seek justice as he becomes the wealthy Count of Monte Cristo. [more]

No One Loves Us Here

January 28, 2015

Playwright Ross Howard’s new work illustrates the characteristically 21st Century sentiments of unbridled selfishness, feigned apathy, and perennial discontent. His pointed, political indictment of our skewed American values is simultaneously too hard to watch and too illuminating to ignore. "No One Loves Us Here" is an entertaining, engaging bloodbath that leaves its audience thinking lots and feeling little. Perhaps this is as it should be. [more]