News Ticker

Linda Kuriloff

State of the Union

February 28, 2019

Howard Lindsay and Russel Crouse’s 1946 Pulitzer Prize winning political play, "State of the Union," should be, by all accounts, dated in its depiction of the 1948 presidential political campaign with 1940’s references to people no longer household names. However, it seems more relevant than ever thanks in part to Laura Livingston’s smart and sassy revival for Metropolitan Playhouse, whose mission is to explore America’s diverse theatrical heritage. Her crackerjack production of this fast-paced political and romantic comedy moves like a house on fire and lands every one of its jokes. In addition, the play is so wise about the ways of backroom politics and Lindsay and Crouse have isolated a great many post-W.W. II issues that are now front page news again that this well-written and well-crafted comedy, although a period piece, has a great deal to say once more. Great fun will be had by all, both Republicans and Democrats, as well as independents. [more]

On Strivers Row

June 9, 2017

Like in a Noel Coward comedy, the witty zingers come fast and furious: “That her big white Cadillac looks like a pregnant Frigidaire,” “Did you say she was from Newark or Noah’s Ark?”, “Harlem has gotten to be such a cesspool of nobodies,” “You can’t raise a rose in a junkyard,” “The ribbon around your neck is loose. Tighten it.” It also offers some very wise statements on the relationships between men and women: “women grow old from neglect and not from age,” “Regardless of how bad we women look in the morning, Oscar, we never wake up needing a shave,” “She loves the ground he staggers on.” However, the play also makes clear the rivalry between various Black enclaves: Harlem, Brooklyn and Washington, D.C. Dolly, Tillie and Mrs. Pace make pronouncements on the classiness of each. [more]