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Kat duPont Vecchio

She’s Got Harlem on Her Mind: 3 Plays by Eulalie Spence

February 19, 2023

The problem with rediscovering lost plays from the past is that works that are 100 years old may have gotten dated or express views no longer held. Back in the 1920’s, Harlem Renaissance author Eulalie Spence wrote a great many prize-winning one acts for which she could not get full productions. Metropolitan Playhouse is correcting that oversight by offering an evening of three of these entitled "She's Got Harlem on Her Mind." Unfortunately, they play like short stories rather than fully formed plays. As the characters are mainly grifters and con-artists, they do not show African-American life in the 1920’s in a very good light. A great deal of care and thought has gone into Timothy Johnson’s production which is set in 1927 including period songs between the plays and before and after, but his direction is often too slow and much of the acting is too studied to be naturalistic. [more]

The Sea Lady

October 11, 2022

Neith Boyce’s "The Sea Lady," a Broadway-bound play in 1935, only now having its world premiere at Metropolitan Playhouse is an attempt at a Shavian play of ideas. Based on a 1901 novel by socialist H.G. Wells, this very Edwardian story resembles Shaw’s "Misalliance" but without the wit or the scope of ideas. Extremely tentative in how far it dares to go, "The Sea Lady" seems like a relic of an earlier age. It has charm but it lacks depth; its message may have been new in 1901 when the novel came out or 1935 when the play was finished, but today it seems extremely old hat. [more]