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George Drance

The Alcestiad

June 19, 2021

Aside from the unevenness of the acting, Drance’s production has no consistent tone, shifting from comedy to drama to tragedy and back again. Not all of his interesting ideas are carried through: the first two acts have different performers playing Admetus and Alcestis which demonstrates the shift of 12 years; however, in the third act when Alcestis should be an old woman, the same actress who played her in her prime continues in the part. While the costumes by Gian Marco Riccardo Lo Forte and Mark Tambella are serviceable they are rather bland and unprepossessing. The uncredited sound design and the original music by Sara Galassini are muddy and unclear as broadcast from the one speaker on the left side of the audience. While there is no lighting design as the play is performed in broad daylight at this time of year starting at 7 PM, by the time the play is ending it is twilight and the fading light will make it painful for some viewers. [more]

Miracle in Rwanda

April 11, 2019

The one-woman show "Miracle in Rwanda"—starring Malaika Uwamahoro and directed by George Drance—relates the true-life experiences of Immaculée Ilibagiza. As a young woman, she survived the 1994 Genocide against the Tutsi in Rwanda by hiding for more than three months in a 3x4 foot bathroom along with five—and, eventually, seven—other human beings: all women and girls. The play uses the tag line “An Inspirational True Story of Hope and Forgiveness,” but how much inspiration can be gleaned from such a horrific story? [more]