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Federico Restrepo

A Christmas Carol, Oy! Hanukkah, Merry Kwanzaa, Happy Ramadan

December 25, 2021

Not only is this a puppet show but it is also an extended concert. This year’s vocalists are Valois Mickens, of West African, Celtic, and Native American origin,  and Katarina Vizina, a transplant from Slovakia,  who sing pieces of about 20 carols and songs including “We Wish You a Merry Christmas,” “Feliz Navidad,” “Silent Night,” and “The Dreidel Song” in the original languages. Occasionally they participate in the action, as well as in the prologue that sets up the show. [more]

Alma Baya

August 18, 2021

"Alma Baya" is distinguished by its impressive production design which wondrously theatricalizes what we’re used to from experiencing science fiction on the screen and television. Scenic designer Mike Mroch’s multi-level configuration of geometric white pieces adorned with gadgets is awesome. Besides the striking space suit and helmet, costume designer Ramona Ponce provides snazzy shimmering gray outfits reminiscent of Pierre Cardin. Federico Restrepo’s lighting design in collaboration Hao Bai is a jolting assemblage of hues, colors and tones. Before the show begins, Mark T Bruckner’s sound design is already arresting with its droning electric cords, later there’s the grand whooshing of air locks opening and closing. [more]

Doctors Jane and Alexander

February 4, 2020

Additional credit can be given to Simon and Wolkowitz’s performances by the excellent supporting cast and Einhorn’s writing. The script's one weakness appears to be an insistence on providing an overabundance of mind-numbing facts about blood-type science, details which ultimately don’t lend themselves to the overarching tale of one man’s search for value and importance in his dreams, those of his family that came before him, and the question of whether he will leave anything other than a legacy of his children’s memories. [more]

A Christmas Carol, Oy! Hanukkah, Merry Kwanzaa

December 9, 2014

As a director, Horejš has a great command of the visual. The puppets perform in various parts of the stage and fly around and enter from windows and trapdoors. The compelling stagecraft is aided immensely by Federico Restrepo's skillful lighting design that very finely captures the moods and era of the story. These enchanting effects are all heightened by the old curiosity shop quality of the furnishings on stage, and the authentic looking garments the cast wears, by set and costume designer Michelle Beshaw. [more]