Eric Anderson

The musical’s new libretto, written by Jessie Nelson, riffs broadly on Shelly’s quietly poignant storyline and her very human, finely etched characters. The characters, broadened and amped up several notches to register on the large stage of a Broadway house, eventually do endear themselves even if they are just a bit shy of caricature. Singer-songwriter Sara Bareilles’ music and lyrics further perpetuate the broad brush paint job with all the characters getting an exultantly defining number that elucidates their eccentric stories or the turmoil in their minds. [more]