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Dylan Thomas

On the Town with Chip Deffaa: From Anatevka to Wales

January 1, 2023

"Fiddler"--brilliantly directed by Joel Grey—is an unusually impactful production. It’s emotionally rich, moving, and timeless. And wholly believable.  They had me from the first words of the opening number, “Tradition.” (And what a glorious ensemble sound they got!) Steven Skybell playing “Tevye” won the Lortel Award for Outstanding Lead Actor when this production was first presented in 2019.  (And the production as a whole won Drama Desk, New York Drama Critics Circle and Outer Critics Circle awards that same season.)   He is an excellent Tevye—earthy, naturalistic, struggling to deal with the hardships of life, and able to leaven the hardships with well-expressed humor. This is a big production for Off-Broadway, with some two dozen actors in the company, and Zalmen Mlotek conducting 10 musicians in the orchestra.   I don’t speak Yiddish, but the English supertitles would make it easy for anyone to follow along.  I’ve seen Fiddler, in various incarnations, enough times—and I’ve savored the original Broadway cast album since Fiddler first premiered back in the 1960’s—I  didn’t really need to read all of the supertitles.  I quickly got engrossed in the action.   This is one of the greatest of all musicals—the book, music, and lyrics are so strong—it always has rewards to offer. [more]

A Child’s Christmas in Wales (2018)

December 9, 2018

It’s a very presentational show. The six ensemble members comprise a sort of group narrator, working in tandem to relate the memories of the Thomas character for the audience—sometimes sorting out how it all really happened and sometimes taking on the roles of characters from the memories. Nicholas Barasch plays wide-eyed “Dylan,” who is totally swept up in holiday magic. Naomi Louisa O’Connell is his mother and Dewey Caddell his father. Extended family and friends are played by Margaret Dudasik, Polly McKie and Ashley Robinson. [more]

A Child’s Christmas in Wales 2015

December 7, 2015

Over the course of just over an hour, the actors enact Dylan Thomas’ classic prose work of his childhood recollections interspersed with their sweet performances together and solo of familiar Christmas songs including “Silent Night” in his native Welsh. Cullum often sits in a chair holding an elaborately covered edition of the book, reading from and sometimes referring to it as if grandly telling a story. [more]

Parthenia: The Art of Persuasion, An Afternoon and Evening of Rhetoric, Music and Poetry

May 13, 2015

In both concerts, eight artists played and performed together in the sort of flexible, happy collaboration which is possible only among colleagues of equal discipline, excellence and experience on the one hand and extended, mutually respectful friendship on the other. The Parthenia quartet members – Rosamund Morley/treble viol, Lawrence Lipnik/tenor viol, Beverly Au/bass viol and Lisa Terry/bass viol – were joined by theorbist Richard Stone, soprano Amy Burton, actor Paul Hecht and conductor Gary Thor Wedow. [more]