Dontonio Demarco Archives - TheaterScene.net

Dontonio Demarco

Pride House

January 23, 2024

While “Pride” has come to stand for Gay Liberation in contemporary times, Beatrice has named her house after Jane Austen’s novel as it is made clear when she names her new guesthouse “Prejudice” at the end of the play. The play’s cast of characters includes mostly real people under their own names: John Mosher, film critic for The New Yorker Magazine; Arthur Brill, decorator and furniture designer; Natalia Danesi Murray, a Broadway actress and later journalist and editor; and Edwin Marshall, an African American dancer in the Ziegfeld Follies. Unfortunately, neither the play nor the program makes it clear that these were all real people or that they were well known in their time. The play also does a certain amount of name dropping (Eva Le Gallienne, Gypsy Rose Lee, Janet Flanner) that may go over the heads of many of the younger theatergoers today. [more]

She’s Got Harlem on Her Mind: 3 Plays by Eulalie Spence

February 19, 2023

The problem with rediscovering lost plays from the past is that works that are 100 years old may have gotten dated or express views no longer held. Back in the 1920’s, Harlem Renaissance author Eulalie Spence wrote a great many prize-winning one acts for which she could not get full productions. Metropolitan Playhouse is correcting that oversight by offering an evening of three of these entitled "She's Got Harlem on Her Mind." Unfortunately, they play like short stories rather than fully formed plays. As the characters are mainly grifters and con-artists, they do not show African-American life in the 1920’s in a very good light. A great deal of care and thought has gone into Timothy Johnson’s production which is set in 1927 including period songs between the plays and before and after, but his direction is often too slow and much of the acting is too studied to be naturalistic. [more]

The Shakespeare Conspiracy

April 28, 2018

"The Shakespeare Conspiracy" is based on Ted Bacino’s novel of the same title that he and Rufus Cadigan have adapted for the stage. Their effort is not in the league of such highly skilled dramatists as Peter Shaffer, Tom Stoppard and David Hare who used speculatively historical backgrounds for some of their esteemed works. Instead, Mr. Bacino and Mr. Cadigan offer a choppy series of overheated episodes and vignettes spanning 40 years, from 1593 to 1633 chiefly taking place in England with plentiful and heavy-handed dialogue. [more]