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Denise Cormier

Dogg’s Hamlet, Cahoot’s Macbeth

July 20, 2019

Dedicated to “creating socially and politically acute theatre for the 21st century” the PTP/NYC (Potomac Theatre Project) for their 33rd season offers this exuberant revival of Tom Stoppard’s 1979 two one-act plays, "Dogg’s Hamlet, Cahoot’s Macbeth," which cheekily satirize the theater and political oppression. Inspired by Wittgenstein and his fellow Czech playwright Pavel Kohout, Mr. Stoppard as he did in his monumental "Rosencrantz and Guildenstern Are Dead" again here ingeniously appropriates Shakespeare for his own ingenious purposes. [more]

After

March 26, 2019

You can hear a pin drop during Michael McKeever’s "After," an exciting, riveting play about the aftereffects of bullying. During the final scene in Jo Brancato’s production now at 59E59 Theaters, the tension is so thick that no one in the audience seems to be breathing to see how it will play out. Like McKeever’s "Daniel’s Husband," the author wants us to see the events from more than one side but his message is clear by the end: parents make excuses for their children and allow for bullying to go on unchecked. Bad parenting is as bad as bullying children. [more]