News Ticker

David Lander

Dog Man: The Musical

July 9, 2019

Kids may love this show—and the Dog Man books themselves—largely because the outlandish situations are similar to scenarios in their own hyper-imaginative make-believe play. Except that, at the Lucille Lortel Theatre, young audiences see a fully realized version of such fantasies, with vibrant production values plus some catchy tunes. Tim Mackabee’s cartoonish unit set—Harold and George’s treehouse—is quiet at first but is soon swarming with marauding buildings, a wacky robot and other assorted craziness. Heidi Leigh Hanson’s costumes are bright and cleverly imagined. David Lander’s lighting design helps us imagine lightning storms, bomb explosions and what amounts to a municipal volcano. Director/choreographer Jen Wineman keeps everything moving along at a quick clip. [more]

Later Life

March 18, 2018

In an “Author’s Note” to his play "Later Life," A.R. Gurney explains that it was inspired by "The Beast in the Jungle," a famous novella by Henry James, about a man who leads a “guarded” life. The sweet but slight resulting play is now in revival by the Keen Company, in a production that does nothing to elevate the play above its overly modest ambitions. [more]

The Mad Ones

November 17, 2017

Kait Kerrigan and Brian Lowdermilk’s original book is filled with incidents, vignettes, reflections, observations, and flashbacks, but short on actual plot.  There is deciding on which college to attend, or not to go to college at all in order to find oneself, and the suspense of passing a driving test. A tragic occurrence is a major event. [more]

Wakey, Wakey

March 14, 2017

"Wakey, Wakey" is Will Eno at his surreal, troubling, beautiful best, a play both challenging and easily absorbed. He truly approaches the unapproachable: the meaning of life. [more]

This Day Forward

December 6, 2016

"This Day Forward" shows much tighter control than many of Nicky Silver’s early anarchic plays. However, aside from offering a few wonderful characters in Malka and the older Irene, the play is disappointing as it sets up expectations which don’t play out. When "This Day Forward" is over, it leaves a feeling of something missing that has failed to take place. It can’t simply be saying that the sins of the parents are visited on the children – or could it? [more]

Incident at Vichy

November 28, 2015

Arthur Miller is having a great posthumous 100th birthday! "A View from a Bridge" opened on Broadway to sensational reviews to be followed soon by "The Crucible." Now a revival of "Incident at Vichy," his frightening, microcosmic examination of Nazi-occupied France during the height of World War II, is enjoying a fine revival at the Signature Theatre. While the first two plays are each experiencing radical re-assessments, the director of Vichy, Michael Wilson has opted for a straight-forward, naturalistic interpretation in which each character exists as a finely etched portrait and the set (by Jeff Cowie) is a real, frightening place down to the period French newspapers plastering the holes in the windows. [more]

The Tempest

June 20, 2015

The first thing one notices on entering the Delacorte Theatre is how empty the large stage looks. In Riccardo Hernandez’s scenic design, except for a tiny desk on the right and a small pile of rocks on the left, the playing area is simply a large open expanse that is backed by scaffolding which offers a kind of balcony or catwalk and in front of which are hung curtains or screens. On this is projected dark, churning seascapes in streaming video. As the setting for the play is an island, this is initially attractive but as it continues throughout the play, it becomes both distracting and superfluous. The costumes by Emily Rebholz in black and white are also devoid of color. David Lander’s lighting occasionally turns the stage blue, green or red, but this comes as an intrusion to the rest of the concept of the production. Along with the lack of magic until almost the end of this long play, it appears as if Greif’s interpretation of the play were simply to keep things spare and unadorned. Unfortunately, this tale which calls out for enchantment and sleight of hand is not the play to do this with. [more]

Too Much Sun

May 19, 2014

Over a 25-year career as a playwright, Mr. Silver has become known for his eccentric black comedies with abrupt shifts in tone. This one feels like a breakthrough being his most ambitious and successful on many levels. The unison of remarkable writing, grand performances, and assured direction make Too Much Sun a highly outstanding play. [more]