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Dahlia Barakat

Medea (Fusion Theatre)

March 19, 2024

This production could be more balanced in the performances, with some characters being solidly played and others being line-readings lacking body movements that add to the dialogue. There are also changes to how the story is told. A number of passages have been removed that are important in establishing Medea's state of mind and exploring her internal struggle over how she will punish Jason for his betrayal. In addition to the revisions to some of Medea’s dialogue, the changes in the responses from the three women of the chorus are impactful. The chorus' purpose is to fill in gaps in the story and to clarify the thought processes being exposed by various characters. While the overall thrust of the story has not been altered, some of the nuances of the characters' behaviors have been lost. [more]

No Exit

April 8, 2019

Absent scenery, with a character excised and fiercely performed, this stripped down taut revival of Jean-Paul Sartre’s "No Exit" is quite compelling and faithful to the spirit of the original work. An operatic prologue is another novel flourish.It is presented by the Fusion Theatre which was founded by the Irish actress Eilin O'Dea in 2016 with the “concept that synthesizing the worlds of theater and opera can provide the ultimate theatrical experience.” Ms. O'Dea is truly the mastermind of this enticing production. [more]