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Arthur Abrams

Hooked on Happiness

November 19, 2019

Although the show is 80 minutes without an intermission, it just breezes right by and one is never bored. The music, played by Peter Dizozza (on piano), Ralph Hamperian (on bass) and Art Lilliard (on drums), keeps the show moving at perfect tempo. From ballads to disco tune, from rap to group numbers, the music is spot on. Sound designer Alex Santullo delivers a pitch-perfect musical. [more]

Shareholder Value

March 31, 2019

Attea’s point concerns business models that are overly focused on the needs of shareholders, rather than on those of management and employees. But the play is curiously bloodless. Strong plays about the ferocity of capitalism—from Arthur Miller’s "Death of a Salesman" to David Mamet’s "Glengarry Glen Ross"—take interest in the human equation. They focus on the personal anguish that the system can induce. Attea doesn’t delve that deeply here. [more]

America’s Favorite Newscaster

January 15, 2018

Another irony is that while Fury is kind of a bore, another character is not. Yeah, you guessed it. Him. When the president (David O. Friedman) appears in Fury’s bedroom like the Ghost of Christmas Present, Attea’s writing finally comes to life. His take on you-know-who isn’t unique, but the situation is wonderfully silly, and Friedman’s impression is a funny profile in petulance. [more]

An American Worker

January 3, 2015

An American Worker is an agitprop musical in the spirit and tradition of social consciousness American theater such as the works of Sidney Kingsley, Clifford Odets, and Marc Blitzstein’s The Cradle Will Rock. Though well intentioned, it is deficient on all crucial levels. [more]