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A Few Thoughts on Those Needless Changes to “The Music Man”
February 21, 2022 // 34 Comments
I want to be clear. "The Music Man" is such a masterfully written musical that making some changes here and there can’t really ruin it; but changes are not needed in this show and they certainly don’t help. I believe in the old saying: “If it ain’t broke, don’t fix it!” I also believe, as Tommy Tune once told me years ago in discussing a different show, many producers and directors feel a need to tinker with shows, making changes for the sake of making changes, even when the wiser choice would be to simply leave things alone. There’s just that desire to “improve” things, whether or not the changes actually improve anything. [more] -
David Cassidy …. A Personal Remembrance
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Jacqueline Novak: Get On Your Knees
18 Comments
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DAVID CASSIDY… BEHIND THE SCENES
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Random Articles
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Dying City
June 12, 2019 // 1 Comment
Under Shinn’s direction, Winstead making her stage debut is very low-key, almost as an observer in her own story. True she works as a therapist, one who tries not to reveal her personal feelings to her patients, but in her private life she ought to show more emotion given the provocations. In the original production directed by James Macdonald, Pablo Schreiber as both Peter and Craig was devastating, leaving the audience almost quaking in their shoes. Here Woodell is almost indistinguishable as the twin brothers, thorough dressed in an olive green t-shirt as Peter and a button-down striped flannel shirt as Craig so that we have no trouble keeping them apart. The revelations come periodically but the play and the production seem under heated. It also seems to be too dependent on emails and phone calls, rather than dramatizing the story. [more] -
The Best We Could (a family tragedy)
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Me the People: Fire and Fury Edition
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