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A Few Thoughts on Those Needless Changes to “The Music Man”
February 21, 2022 // 34 Comments
I want to be clear. "The Music Man" is such a masterfully written musical that making some changes here and there can’t really ruin it; but changes are not needed in this show and they certainly don’t help. I believe in the old saying: “If it ain’t broke, don’t fix it!” I also believe, as Tommy Tune once told me years ago in discussing a different show, many producers and directors feel a need to tinker with shows, making changes for the sake of making changes, even when the wiser choice would be to simply leave things alone. There’s just that desire to “improve” things, whether or not the changes actually improve anything. [more] -
David Cassidy …. A Personal Remembrance
26 Comments
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Jacqueline Novak: Get On Your Knees
18 Comments
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DAVID CASSIDY… BEHIND THE SCENES
15 Comments
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New York Polyphony: Palestrina’s “Marcellus Mass”
February 4, 2017 // 0 Comments
The second work of the evening was the world premiere of Ivan Moody’s Vespers Sequence. In careful, clear program notes, Moody described his goals in his compositions in general and in this new Vespers Sequence in particular: he seeks to “bring the concepts and principles underlying Orthodox spirituality … into dialogue with modernity” … in the “creation of a specifically Orthodox para-liturgical repertoire that brings together liturgy and concert.” Moody collaborated closely with New York Polyphony in conceiving and then finalizing this work; although the sacred texts and many of the originating aesthetic impulses of the work are ancient, the overall feel, in this premiere performance, was of something vital and contemporary. [more] -
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Gary: A Sequel to Titus Andronicus
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Mind Mangler: A Night of Tragic Illusion
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