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Wallace Shawn

The Last of the Love Letters

September 19, 2021

We’re transported to Ms. Chen’s boldly oppressive spacious prison set with bars, an austere bed, a urinal, a tank to vomit in, and a retractable metal staircase for a menacing authority figure to descend from. Here, we meet the incarcerated “You No.2,” the male who gives his side of the romantic breakup during a cryptic and histrionic 40 minutes. We gradually realize he’s an artist being held in a government mental institution for crimes against the state. The finale strives for an emotionally resonant Twilight Zone-style twist ending, but it doesn’t make much impact, like the rest of this synthetic play. [more]

Evening at the Talk House

February 24, 2017

However, as the title implies it is also a very verbose, long-winded affair giving an excellent cast made up of such veterans as Matthew Broderick, John Epperson (a.ka.a Lypsinka), Jill Eikenberry, Larry Pine, Claudia Shear and Michael Tucker not much to do. Shawn has written the best role for himself but that is not saying much. While the play may be meant as a cautionary tale, it is also over-written and self-indulgent. Long before you realize where the play is going you may have lost interest due to all the explanations. [more]

The Threepenny Opera

March 5, 2006

The best way to imagine what has happened to the beggars, the bourgeoisie, the pimps and whores, and the sordid denizens of the underworld in this operatic rant on the evils of capitalism is to think of a Cirque du Soleil troupe on Valium and under neon (what was lighting designer Jason Lyons thinking?). Worst of all, it is plodding and dull and an eyesore thanks to Isaac Mizrahi's Halloween-on-Fire-Island costuming. [more]