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W. Scott McLucas Studio Stage

Yes! Reflections of Molly Bloom

June 23, 2019

Employing her charming accent with its expressive vocal cadences and exhibiting her alluring sleek physicality and charismatic presence, Moloney totally embodies Molly Bloom as she forcefully conveys the icon’s humor and wistfulness. She authoritatively enacts a myriad of often sensual personal reflections with colossal flair. Whether gleefully reciting Joyce’s graphic dialogue, laying on her back with her legs spread or squatting over a chamber pot, she is fearless in delivering her searing dramatic and comedic characterization. [more]

It’s a Wonderful Life: The 1946 Live Radio Play

December 15, 2017

As adapted for the stage by Anthony E. Palermo, it’s roughly half the length of the film. But it still tells the same story about George Bailey, who on Christmas Eve in 1946 intends to take his life, only to be saved by an angel named Clarence. While saying there’s “a Tom Sawyer quality to you, George,” Clarence still turns George around by showing him what “a different world” it is without him, as if he had never been born. And it seems to be amazingly complete--even while the focus of the presentation is on the live radio version, including a banner that says, W.I.R.T. (duh, for Irish Repertory Theatre) and several different “words from our sponsors,” such as “Lucky Strike” (“clears your lungs”) and “Carter’s Liver Pills.” [more]

Off the Meter, On the Record 

October 20, 2017

Set designer Charlie Corcoran ingeniously has the small stage’s walls adorned with sections of a yellow cab.  Off to the side is a piece containing the steering wheel from where McDonagh periodically speaks.  Above this, is a screen bordered by vintage billboard pictures. This showcases Chris Kateff’s dazzling projection design that illustratively displays imagery of New York City from various eras, video clips and slides such as the 1975 New York Daily News headline, “Ford To City: Drop Dead.” [more]