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Veanne Cox

ON THE TOWN WITH CHIP DEFFAA… AT CONCERTS HONORING BETTY BUCKLEY AND TONY BENNETT

November 9, 2023

This fall, I saw two of the most rewarding tribute-type concerts I’ve seen in recent years—one a glittering (if overlong), star-filled salute to “the Voice of Broadway,” Betty Buckley; the other a sincere tribute to the late master song-stylist Tony Bennett by young students from the school that he founded (and told me he was so proud of). Both of these very different events gave me some moments I’ll never forget…. [more]

Wedding Band

May 9, 2022

Alice Childress’ "Wedding Band," which is a difficult play to stage due to its shifts in tone, is a major rediscovery. However, it straddles a thin line between realism and romance and its poetry needs to be handled very carefully. Unlike the tamer "Trouble in Mind," "Wedding Band" has a very strong message and a good deal to say about racism in American in telling its sensitive interracial love story about a time when it was a love that dared not speak its name. While this production makes some problematic choices, the time has certainly arrived for this play to be returned to the American stage. [more]

An American in Paris

April 19, 2015

The director/choreographer Christopher Wheeldon has re-envisioned this icon with a panache that borders on the genius, fulfilling the promise he showed with his extraordinary choreography for the 2002 "Sweet Smell of Success." This time around, from the windswept opening sequence, with its thumbnail sketch of W.W. II history to the breathlessly simple fade-out, it was clear that Wheeldon was in total command of his material, illuminating all of "An American in Paris"’ emotional twists and turns. [more]

Caroline, or Change

December 10, 2004

There is a lot of anger vented through music in "Caroline, or Change,"; the nearly sung-through musical by Tony Award-winner Tony Kushner (book and lyrics) and Jeanine Tesori (music). Operatic in its aspirations and dramatic in its presentation, this unusual musical made enough friends and supporters during its successful run earlier this season Off-Broadway to justify a move to Broadway. The production fits as snugly into the Eugene O'Neill Theater as it did at the Public Theater. [more]