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Twi McCallum

Little Girl Blue

March 15, 2022

Nina Simone’s vocal talents, physical presence and spirit are all dazzlingly channeled by Laiona Michelle in her engaging self-written biographical concert-style musical, "Little Girl Blue." Ms. Michelle employs just enough of Simone’s cadences, facial expressions and physical gestures to create an authentic characterization while supremely singing over a dozen songs associated with the charismatic vocalist. The show’s well-researched spoken word portions deliver historical facts, life details and cultural commentary in the manner of Simone. [more]

A Commercial Jingle for Regina Comet

October 5, 2021

While Marshall Pailet’s direction is breezy and fastpaced, the dialogue has too many Borscht belt jokes (“Take my Grandma, for instance. No really take her-,” Camp Rosenblatt, “As my Grandma used to say,” etc.”) and lyrics with too many quotes from much better song writers such as Cole Porter, Stephen Sondheim and Bock and Harnick. References to Barry Manilow and Hanson don’t really land and the show counts on a great many current memes like making Wyse’s neurotic lyricist gay and Fankhauser’s self-effacing composer straight. Unfortunately, they are rather bland when they should be bigger than life in this three-character musical. The fact that they have no names and are referred to in the program as “Man 2” (there is no “Man 1”) and “Other Man” is pretentious rather than endearing. [more]