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Trevor

Trevor: The Musical

November 16, 2021

The writers seem afraid to state what the story is all about, the word gay being mentioned exactly once. At two hours and 15 minutes including one intermission, today’s audience is way ahead of the plot, knowing exactly what will happen in advance. While the 1994 movie was 23 minutes, the musical seems padded and dragged out. Davis’ music is pleasant enough, but Collins’ lyrics are pedestrian and repetitious. The songs seem to have a limited vocabulary such as children’s books often do, but 13 year olds have a slang and vernacular that is hardly used. The biggest problem with the score is that the dream Diana Ross (played flamboyantly and spiritedly by Yasmeen Sulieman) gets to sing seven of her most iconic songs (“Do You Know?,” "It’s My Turn,” “Upside Down,” “Ain’t No Mountain High Enough,” “Remember Me,” “Endless Love” and “I’m Coming Out”) which are far superior to any of the new songs, always a mistake in a non-jukebox musical. [more]

The Absolute Brightness of Leonard Pelkey

February 23, 2015

The fabric of the community of a small Jersey shore town is torn apart in the wake of the mysterious disappearance of young Leonard Pelkey. At first this one-man show, written and performed by James Lecesne, follows the lines of every crime drama you have seen. Yet, "The Absolute Brightness of Leonard Pelkey" proves to be much more than superficial intrigue and ends up challenging the very conscience of society. The standing ovation and second curtain calls this show has been receiving in previews are already setting this piece of theater apart. [more]