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Transport Group

Broadbend, Arkansas

November 15, 2019

Produced by Transport Group in association with The Public Theater and directed with precision, clarity and simplicity by Transport Group’s artistic director Jack Cummings III, this story of three generations of an African American family grappling with of racism, violence and inequality in the South is as moving and trenchant as a story by Harper Lee. Each act is a monodrama exquisitely acted, sung and directed for a very discerning audience. While there is dialogue in both halves, the extraordinary music makes it feel sung through. [more]

The Trial of the Catonsville Nine

February 14, 2019

The 1970 play was originally adapted by playwright Saul Levitt (who previously turned the Pulitzer Prize winning novel "Andersonville" into a successful trial play) from Berrigan’s free verse version based exclusively on the trial transcript. Not seen in New York in 30 years, "The Trial of the Catonsville Nine" has been reimagined in a new version making use of additional sources by Jack Cummings III, artistic director of the innovative Transport Group theater company. A powerful experience, the revival proves to be a provocative investigation of what a citizen should do when he or she feels that the government is engaged in immoral actions. [more]

Renascence

October 30, 2018

In her own time, poet Edna St. Vincent Millay (1892 – 1950) was a rock star and a best-selling author until illness and postwar culture dimmed her luster. Still she fascinates with her bohemian lifestyle, beauty, love affairs with both men and women, feminist views, and effortless sounding poetry. In recent years, her life has again obsessed biographers and playwrights in such works as "Savage Beauty: The Life of Edna St. Vincent Millay" (2001), "Becoming Vincent" (2013) and "What Lips My Lips Have Kissed: The Loves and Love Poems of Edna St. Vincent Millay" (2014). Add to this list the adventurous Transport Group’s world premiere musical "Renascence," with book by Dick Scanlan and lyrics from Millay’s own poems set to music by Carmel Dean. Unfortunately, the new show is often arch and pretentious and the musical settings are entirely in the wrong style for Millay’s lyrics from the 1920’s. [more]

Summer and Smoke

May 10, 2018

When Tennessee Williams started writing "Summer and Smoke," his working title for the play was "Chart of Anatomy," taken from a poem by Hart Crane. An anatomical chart becomes one of the very few props in the current Classic Stage Company and Transport Group revival of the 1948 play. Under the circumstances, the many players (a dozen in all) are often reduced to charades, as they describe a new gaudy hat, or a jigsaw puzzle, or gloves. For that matter there’s not really a set at all, only a large white platform in the center of the playing area, echoed by a large white rectangle hanging above--a kind of ceiling for the platform--and shortly after the prologue, six chairs, two of which will, at times, serve as a bench or a sofa. [more]

Strange Interlude

October 24, 2017

Martha Graham called her dancers “athletes of God.”  Watching David Greenspan perform all the roles in a six-hour marathon performance of Eugene O’Neill’s 1928 melodrama, Strange Interlude, caused me to wonder what I might call David Greenspan.  Would “Son of Thalia” (the Greek goddess of theater) do? “Olympian of O’Neill”? [more]

I Remember Mama

March 30, 2014

Director Jack Cummings III has not only chosen a new environment for this realistic play, he has also chosen to perform it with ten veteran actresses (who would be classified as senior citizens) playing all 23 parts, including teenage girls and boys, and all the male characters. When the audience enters the Gym at Judson the entire space has been turned into the playing area with seats in two rows around all four walls. Ten dining room sets with displays on each occupy the space, the size of a basketball court. [more]