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Tony Roach

The Liar

February 6, 2017

However, it is Ives’ joy in language that is the most infectious. The rhymed couplets keep coming and surprising us over and over again (bitter/twitter; prize/rhapsodize, jocular/interlocutor, kiss/dentrifice, carbuncle/uncle). He has also created remarkably agile, felicitous and contemporary turns of phrase: meet-and-greet/ bittersweet; Chanel perfume/key to my room; perfect ten/tragic flaw again; chance to laugh/some dumb gaffe; believe this boy/pure trompe l’oeil. Considering the nature of lying, the anachronisms like contact lens, superglue, outed me, Kid Dorante, party clown, pants on fire, etc., seem like natural hyperbole for these poseurs who take themselves all too seriously. So too Kahn’s clever direction is highly in tune with this style: Dorante and Alcippe’s duel is fought without swords in pantomime and Cliton appears with a modern paper coffee cup. [more]

She Stoops to Conquer

October 17, 2016

The scenic design by Brett Banakis is a functional, minimalist configuration of a slightly raised wooden performance platform surrounded by a wooden frame dotted with small antlers suggesting the pub. There’s an assemblage of vintage furniture, potted plants, screens and vines that are shifted about to designate the various locations. This all contributes to a deficit of visual grandeur that the production is understandably striving for on a limited budget but doesn’t achieve. These design flaws could be superseded by an abundance of bravura performances, but there aren’t. [more]