The Ballet Hispanico has long been revered as a beacon of dance art in the Latino community. Its school and repertory have helped illuminate the Latino experience while instilling the discipline and joy of dance, particularly under the direction of its founder, Tina Ramírez. Eduardo Vilaro, the troupe’s artistic director, seems to be slowly turning the company away from ethnic exploration towards the generic modern dance aesthetic of companies like Complexions and the soon-to-be-defunct Cedar Lake Contemporary Ballet. Although the three works on this program were choreographed by Hispanic artists to music by Spanish-influenced composers with themes seemingly concerning the nature of Latino behavior, the impression was of a company working hard to find a choreographic aesthetic that can satisfy its identifying with both the Latino community and the newer ideals of modern dance, only partly succeeding. He may eventually find this balance between the two ideals. Certainly he has an absolutely brilliant company of good-looking, talented dancers to work with.
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