Dali’s Dream
The four patients’ stories occupy the bulk of "Dali’s Dream" in an uneven stream of oddball activities which divert the plot from the more important consideration of the Freud/Dali interaction. Their behavior is whimsical at best, arbitrary at worst. The play becomes an awkward phantasmagoria of the four patients’ crippling neuroses, hiding the fact that the reason for the play, its important focus, the meeting of two major minds of the twentieth century, becomes secondary, not to mention swelling the play’s running time. Their discussions are never fully realized, but get as far as Dali’s admission that he could remember being in his mother’s womb, more a boast than a revelation. [more]
