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Theater at the 14th Street Y

The Other Day

September 21, 2018

A play that tends to say or do too much can often end up saying too little. Such is the case with "The Other Day," a play in which one development after another keeps cancelling each other out. In the opening scene, which also marks the beginning of their relationship, Mark and Santo don’t exactly meet cute, but they do get right to their problems relating to life--and to each other. They are, after all, at a “Narcotics Anonymous Meeting, divulging their addictions and their problems. [more]

From the Horse’s Mouth Celebrates Gus Solomons jr

April 6, 2016

Nearly thirty speakers glorified Solomons, but none quite as well as himself who appeared in three bits that deftly paid tribute to—and simultaneously gently poked fun at—his two choreographic mentors. Watching Solomons’ Martha Graham and Merce Cunningham hand puppets debating their individual philosophies of the art of dance, while getting their personality foibles down perfectly, was the highlight of the program. This was the rare Horse’s Mouth in which the object of the show performed. [more]

Sokolow Theatre/Dance Ensemble

March 17, 2016

“Ride the Culture Loop” (1975) to dark, percussion-heavy music by long-time Sokolow colleague, Teo Macero, pitted small groups of dancers against each other, all seemingly trapped in a nightmare of frustration symbolized by jutting elbows, pained expressions and tense pile-ups that led inevitably to one dancer being lifted high and slowly rotated only to be subsumed back into the flailing bodies a second later. Dressed in hippy-ish jeans and colorful tops, they seemed more concerned with their inner turmoil than communicating with each other. The tense movements gave the work a thick, emotional veneer. “Ride the Culture Loop” was staged by Samantha Geracht. [more]