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The Kaye Playhouse at Hunter College

Ballet Contemporáneo de Camagűey

March 19, 2019

The Camagűey troupe danced Ruiz’s work as if born to his vigorously eclectic style.  His choreography is an amalgam of ballet, modern dance, break-dancing, folk dancing and Latin ballroom.  He seems to be influenced by the work of Nacho Duato (himself a Jiri Kylian protégé) with his complex, body-interlocking lifts, bent torsos and a step-to-every-note. [more]

The Pirates of Penzance 2018 (NYGASP)

January 2, 2019

In the plus column, it was easy on the eyes. Scenic designer Lou Anne Gilleland created agreeable though not particularly elaborate sets: a rocky stretch of seashore for the first act and a gloomy ruined chapel for the second. Lighting designer Benjamin Weill gave us a kaleidoscope sky that turned lavender or red or some other dramatic shade, according to the changing moods of the story. And Gail J. Wofford and Quinto Ott’s costumes were bright and playful, especially the flouncy sleepwear (Queen Victoria’s Secret?) worn by the female wards of Major General Stanley, the operetta’s famed “Modern Major General.” [more]