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The Gym at Judson

Hart Island

March 13, 2022

Whether or not Tracy Weller’s "Hart Island" directly harkens back to Masters, it certainly has similarities, most particularly in its poetically rendered revelations of the underbelly of life and death. Weller turns Hart Island, impeccably rendered in Christopher & Justin Swader’s set occupying most of the Gym at Judson, into a dark metaphor revealing more than any statistics or headlines could ever do about existence during the Covid pandemic. Hart Island is where the bodies of indigent and anonymous people wind up, usually buried by prisoner work details from nearby Riker’s Island.  Of course, during the last two years Hart Island’s necropolis has burgeoned both in reality and in Weller’s imagination as fertile in this time as Masters’ was in his. [more]

William Inge in Rep: Picnic & Come Back, Little Sheba

April 1, 2017

Though rather flawed in execution, there is much to enjoy in "Picnic" & "Come Back, Little Sheba": William Inge in Repertory. It is also revelatory in proving William Inge’s high ranking in the annals of dramatic literature. [more]

Afghanistan, Zimbabwe, America, Kuwait

June 10, 2015

“Don’t step on the sand,” cautions the usher as she hands out programs and directs patrons to the their seats at The Gym at Judson. Indeed, the stage and floor is filled with sand that’s been artfully arranged into a barren vista of mounds and dunes. There is a concrete staircase leading to the roof of a small structure. Above is a rectangular screen where later images of the sky and a forest are projected. There is a concrete block with a pole in it on stage. Unfortunately Raul Abrego’s impressive set is the most outstanding feature of playwright Daniel Talbott’s cryptically titled and exasperating 90-minute War Is Hell fantasia, "Afghanistan, Zimbabwe, America, Kuwait. " [more]

Sense and Sensibility

December 3, 2014

Janeites, arise! Take yourself to The Gym at Judson for Bedlam Theatre Company's world premiere stage adaptation of Jane Austen's "Sense and Sensibility" that is inventive, faithful, clever and hilarious. Using a cast of ten versatile actors (playing 17 roles) under the brilliant and ingenious direction of artistic director Eric Tucker, the minimalist production contains all of the key scenes of the book while at the same time skillfully delineating the social fabric of the times. You may never have guessed how funny this story really is. Kate Hamill's marvelous play is one of the finest stage adaptations of a literary classic. Our Jane would have expressed her approval. [more]