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The Good Adoptee

Smoker

January 7, 2019

Mr. Brader’s writing on this fascinating subject is sharp, insightful and well-observed. As a performer, Brader’s breezy personability endows his personal odyssey with an appealing everyman quality as he appears as himself and impersonates various other characters. At 80 minutes, the show is overall compelling. Cold turkey, gradual cessation, hypnosis and bicycle spinning are all attempted to stop with varying results. [more]

Spitting in the Face of the Devil

January 5, 2019

Mr. Brader is an engaging and soulful performer with a smooth and pleasing vocal delivery. Brader is an admirer of Spalding Gray and channels that monumental artist’s impassioned sense of storytelling. As a writer, he offers a vividly candid but somewhat flawed treatment of his explosive autobiographical material. Arguably a tauter and more focused scenario would flow more effectively.  Still, Spitting in the Face of the Devil ultimately achieves redemptive impact. [more]

The Good Adoptee

January 4, 2019

Employing humor, documentary detail and suspense, Bachner offers an emotional detective story. Wit and whimsy meld with poignancy as the picaresque quest begins in present day New York City. It involves a gallery of characters, flashbacks. and often frustrating twists and turns, several of which are legal obstacles that impede such searches. Bureaucrats, a celebrated “adoption hunter,” the adopted parents and other key figures are all imaginatively incorporated into the narrative. Bridgforth is vocally and physically titanic as she switches back and forth between being Susan and playing the other characters with grandly distinctive characterizations. [more]