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Suzi Sadler

Bruise & Thorn

March 17, 2022

C. Julian Jiménez’s "Bruise & Thorn" is not for everyone. Older theatergoers may be put off by both the raw language and street slang that they will not know. However, if you want to know what the younger playwrights and audience members are thinking you cannot afford to miss this over-the-top Queer Ball event. Pipeline Theatre Company’s production has to be seen to be believed. [more]

An Ordinary Muslim

March 14, 2018

The trouble is that there is nothing new or daring or particularly interesting about the play despite its intriguing subject matter.  It is an old-fashioned play—think warmed over Clifford Odets with a touch of Chekhov and more than a few hints of Greek hubris—that deals with the treatment of Pakistani-British Muslims in Great Britain, specifically West London, 2011.  It is full of clichéd writing including having characters appear just as their name is brought up. [more]

The Gray Man

September 29, 2015

Mr. Farmer has crafted a suspenseful and gripping tale based on the reality of child abduction with mythical overtones. The dialogue is very fine and is evocative of the era. The intriguing script has been tremendously elevated by the superb production it has been given that is comparable to visiting a Halloween haunted house. [more]

Clown Bar

July 2, 2014

Due to the cleverly written script by Adam Szymkowicz, the show is such a marvelously detailed and novel spoof of the genre. The inspired old-time show business score is a grand collaboration between Mr. Szymkowicz, composer and additional lyricist Adam Overett and musical director and additional composer Ian Axness. [more]