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Suzan-Lori Parks

White Noise

April 18, 2019

After she won the Pulitzer Prize for "Topdog/Underdog," one approached a new play by Suzan-Lori Parks with great expectations--expectations that are strongly rewarded by her latest work, "White Noise." While the title refers specifically to the hissing sound made by sleep machines, meant to lull and keep you asleep, it also hints at the many racist issues this new, smart work traffics in. [more]

The Red Letter Plays: Fucking A & In the Blood

October 2, 2017

Having spent nearly five hours in the company of Ms. Parks’ parade of these beautifully written characters I find myself conflicted about these plays. She is brilliant at generating fire with the source of the heat difficult to pinpoint.  It’s her talent to write dramas which sizzle, constructed in her strange vernacular, yet somehow leave too many questions unanswered, the better to prove her one-sided stories. [more]

Bella: An American Tall Tale

June 20, 2017

Featuring an energetic, game cast headed by bigger-than-life Ashley D. Kelley as the title character, "Bella" follows this “big booty Tupelo girl,” as she travels (under an assumed last name) to meet her staid fiancé, Buffalo Soldier Aloysius T. Honeycutt (handsome, sweet voiced Britton Smith) and to escape the law.  She meets a slew of fascinating characters—some who really existed and some fictitious—and finds her life taking a surprising turn in her bumpy road to marital bliss. [more]

Venus

May 26, 2017

The adept cast is led by Zainab Jah in the title role. In the one detail in which Parks’ play matches "The Elephant Man," Ms. Jah, a shapely, lovely actress, transforms herself into Venus right in front of the audience, painfully pulling on a padded costume that leaves nothing to the imagination. Ms. Jah’s Venus is a strong figure who rolls with the punches but is no match for the hypocrisy of the powers that be. She is a strong enough actor to keep her head above the fray. [more]