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Susan Roth

Brokeback Mountain

June 3, 2018

While "Brokeback Mountain" impresses in its sincerity, it does not move which is a serious problem considering the romantic and tragic plot. Director Jacopo Spirei’s cast is in fine form as singers though the music and its libretto fail to fulfill this story’s potential. Daniel Okulitch and Glenn Seven Allen as the two doomed lovers make indelible impressions of men in a repressed society which does not allow them freedom of expression - even though they are not given the kind of music that can move the heart to tears. Brokeback Mountain which is fine as far as it goes offers the same disappointment of many new modern operas in that its writing falls short of its high-reaching intentions. [more]

La Campana Sommersa (New York City Opera)

April 8, 2017

This production was a co-effort with Fondazione Teatro Lirico di Cagliari whose orchestra joined forces with the New York City Opera Orchestra under the baton of Ira Levin who brought out every bit of color in the music. Maestro Levin was sensitive to the needs of the singers, knowing just how to mold the orchestra’s sounds so that their voices soared over the often over-orchestrated score (not helped by the wrong-headed scrim used in the forest scenes). [more]

Aleko & Pagliacci (New York City Opera)

September 12, 2016

While the New York City Opera’s staging of "Aleko" could not be called a major rediscovery, it was an admirable attempt to offer a non-standard repertory work that had probably not been seen by any of its New York audience. The real surprise was the thrilling and commanding performance of "Pagliacci" which bodes well for NYCO’s future life and health at Lincoln Center. In addition, the New York City Opera Chorus, under the direction of William Hobbs, gave persuasive performances in both operas, another feather in the City Opera’s cap. [more]