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Stephanie Umoh

Little Rock

July 3, 2018

Using a tremendously talented and versatile cast of nine actors (three black male actors, three black female actors, as well as three white performers) playing from three roles to 12, the story of the year these heroic teenagers spent integrating the previously segregated high school becomes high drama. Rasean Davonte Johnson’s unit setting with its banks of stairs makes copious use of Wendall K. Harrington’s projection design for the many locations in the city of Little Rock, inside and outside of the school and the homes of the participants, as well as historical footage of the events and the people. "Little Rock" also includes snatches of 14 songs, some sung as choruses and others as solos including “Eyes on the Prize” and “We Shall Overcome,” which add a human dimension to the often startling events depicted. [more]

Hallelujah, Baby!

January 31, 2018

While the new cut-down version (performed concert style with book in hand) with nine actors instead of the original 36, now covers 100 years, rather than the sixty in the original show, it still remains a shorthand version of the history of the movement as well as the trials and tribulations of African American performers in show business. Originally written with Lena Horne in mind, when she turned it down the starring role of Georgina Franklin went to newcomer Leslie Uggams and was subsequently revised to accommodate her softer, girl-next-door persona. Although her perky, animated performance won her the Tony Award for Best Actress in a Musical, Laurents was never happy with the compromises made to the show. The more tightly written show which now focuses on four main characters still doesn’t solve all the problems inherent in the material, as directed by Gerry McIntyre it does make for fast-paced musical entertainment with a great many unfamiliar songs. [more]

Jerry’s Girls

August 8, 2017

The revival at the York is being seen in yet a new version of the show that began as a cabaret in 1981 and went to Broadway in 1985. Created by director Larry Alford, choreographer Wayne Alford and composer Herman, the original show included new songs written especially for the show, only one of which remains in the revival. However, as directed by Pamela Hunt ("The Musical of Musicals"), this version of "Jerry’s Girls" organizes the songs more faithfully by around each show and includes the greatest hits from "Hello, Dolly!," "Mack and Mabel," "Milk and Honey," "Mame," two numbers from "Dear World," and ending with a medley from "La Cage aux Folles." Along the way are also two unfamiliar numbers from Herman’s 1960’s revue "Parade." [more]