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Sonya Tayeh

Moulin Rouge! The Musical

August 3, 2019

As the romantic, tubercular and charismatic Satine, the magnetic Ms. Olivo delivers a ferocious, sensual and grandiose performance that’s one of the most memorable recently seen on Broadway. Her sensational characterization is more Eartha Kitt than Nicole Kidman and all her own. Clad in slinky costumes, the voluptuous Olivo perpetually dazzles. Her titanic singing and dancing is matched by her intense acting which grounds the busy production with riveting focus. Her “Diamonds are Forever” is spellbinding and there’s saucy humor when it’s followed by “Diamonds are a Girl’s Best Friend,” “Material Girl” and “Single Ladies.” [more]

Malpaso Dance Company: 2018 Season

January 29, 2018

The first work on the program was “Indomitable Waltz” (2016) choreographed by Aszure Barton to dark hued music by the Balanescu Quartet and Nils Frahm.  Barton achieved a graceful, yet dramatic flow for these dancers dressed in Fritz Masten’s black and grey costumes.  Barton knows how to spread her dancers about the stage like a single organism continually splitting apart and coming together again. They danced warily about each other, performed leans and sensual embraces that faded as the dancers melted to the floor.  The work ended on a contemplative note as Dunia Acosta moved with careful steps and twisting hips, in a journey across the stage.  Although the emotions of “Indomitable Waltz” ranged from dark to sensual to giddily physical, it ended up as a head scratcher, beautifully performed by the Malpaso dancers.  The intriguingly moody lighting was by Nicole Pearce. [more]

Hundred Days

December 12, 2017

Written by The Bengsons and Sarah Gancher, the show presents a stylized take on the couple’s love at first sight meeting, the complications it caused with their partners at the time, their instant romance and quick marriage.  It’s a New York story as they lived in Astoria, there’s mention of a memorable walk from Canal Street to The Cloisters, and a trip to Coney Island is pivotal. [more]

American Dance Platform: Fist and Heel Performance Group & Martha Graham Dance Company

January 16, 2016

Reggie Wilson has been combining dance and cultural anthropology for many years. His troupe, Fist & Heel Performance Group, is a living testament to his passion with “Moses(es), Moses(es),” his full-company work, a living and breathing example of his philosophy. In his program notes, Mr. Wilson explained that this work was based on “the many iterations of Moses in religious texts, and in mythical, canonical and ethnographic imaginations,” a big subject that, unfortunately, doesn’t lend itself to a dance interpretation. In fact, Mr. Wilson’s description, not withstanding, it would be difficult to find any reference to that Jewish Biblical giant in “Moses(es), Moses(es),” except when the entire company sang a song whose only word was “Moses.” [more]

The Wild Party

July 18, 2015

Sutton Foster is electrifying as Queenie the sexually insatiable nightclub performer who incites men to violence in this revival of the 2000 Off-Broadway musical The Wild Party. Lean and fierce and slinking around in a taut white sequined flapper dress and wearing a curly blonde wig, Ms. Foster’s star quality and performing talents are on dazzling display in this problematic Jazz Age ode to decadence. She continues to grow in her versatile stage career that has included such light shows as "Thoroughly Modern Millie," "The Drowsy Chaperone," "Shrek," "Young Frankenstein," and the more recent serious "Violet." [more]