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Sean Phillips

Brecht on Brecht

October 29, 2021

Director Nicholas Viselli’s physical staging crackles with force and exhibits visual flair with numerous arresting stage pictures. Bert Scott’s artfully simple scenic design conveys the sense of the past as does his lighting design, employing dimness, spotlights and blackouts all to great effect. Sound designer Eric Nightengale achieves an appropriate vintage vibe. While utilizing contemporary wear, Courtney E. Uruyo’s perfect costume design manages to evoke different eras of the 20th century particularly with its range of dresses and hats. Projection designer Samuel J. Biondolillo artistically melds words and imagery into a pleasing view. Crucial is the periodic inclusion of black and white footage of the Marxist Brecht testifying before the House Un-American Activities Committee in 1947. [more]

The Jackson C. Frank Listening Party w/Special Guest

March 29, 2021

Aguirre manages to have written a play that doesn’t feel like a play thanks to his interpretation of the main character.  He doesn’t overdo the emotions, letting the songs carry that weight for him. Sarah Norris’ direction—aided by Hallie Griffin’s skillful film and sound editing—is unobtrusive except for allowing the two women characters to veer towards stereotype, particularly when Aguirre’s Allen is so natural. [more]