Sea Wall

Both plays deal with young husbands who are coping with new fatherhood as well as their new responsibilities and their relationships with the dominant male figures in their lives. In Stephens’ "Sea Wall," Sturridge speaks admiringly of his father-in-law, while in Payne’s "A Life," Gyllenhaal speaks with love of his own father.  Both men are madly in love with their wives who they could not consider living without. These plays are ultimately tragedies of the accidental kind, events that one has no control over and cannot see coming. The double bill is performed on a basically empty stage with a brick wall behind (designed by Laura Jellinek), on which Peter Kaczorowski’s poetic and atmospheric lighting is a kind of additional onstage character. Carrie Cracknell's assured direction pilots both plays. [more]