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Sarah Benson

Fairview

June 27, 2018

Jackie Sibblies Drury is a unique new voice in the American theater. Her use of metatheater is all her own. "Fairview" has a great deal to say about race in America and the angle you see things from and she is able to cleverly shift it from scene to scene. However, this new play is a bit too long for its content, with scenes overstaying their welcome. Nevertheless, Drury is a playwright well worth watching. [more]

The Red Letter Plays: Fucking A & In the Blood

October 2, 2017

Having spent nearly five hours in the company of Ms. Parks’ parade of these beautifully written characters I find myself conflicted about these plays. She is brilliant at generating fire with the source of the heat difficult to pinpoint.  It’s her talent to write dramas which sizzle, constructed in her strange vernacular, yet somehow leave too many questions unanswered, the better to prove her one-sided stories. [more]

Samara

April 19, 2017

The play seems to be in the genre of the classic Western movie though highly poeticized and slow-paced. It resembles the 60’s films of Sergio Leone and Sam Peckinpah but with much less plot and without the scenic vistas. It follows the rules of the old West but creates a mysterious world of its own. Very little is revealed by the characters about themselves, most of whose names are generic (the Supervisor, the Messenger, the Drunk, the Cowboy, the Beast). Much could be read into the events but they remain opaque and obscure as do the characters who reveal little. This is a Samara of the imagination, not a real geographic place. [more]

An Octoroon

March 3, 2015

In 2015, it’s a bold move to revive a century and a half-old play that bears a racially insensitive title, and it’s an even bolder move to refrain from apologizing for such source material. Nevertheless, playwright Branden JacobsJenkins does just that in" An Octoroon," his adaptation of Irish playwright Dion Boucicault’s 1859 melodrama "The Octoroon." Back by popular demand from its previous Soho Rep mounting and recently extended at the Theatre for a New Audience through March 29, the production makes the risky decision to embrace an uncomfortable facet of our history and transform it into a contemporary piece. Thankfully, it paid off big time: the result is an entertaining, touching and illuminating theatrical experience that speaks to today’s audience. [more]