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Rosalie O’Connor

American Ballet Theatre: La Fille mal gardée

June 1, 2016

Leading this bucolic tale of amor interruptus were Gillian Murphy (her usual strong technique subsumed in girlish sweetness) as the farm girl, Lise, the “badly guarded girl” of the title, and Cory Stearns (at his lyrical best) as Colas, her young farmer swain. In the drag role of Lise’s mother, Widow Simone, was Marcelo Gomes, the still vibrant classicist perhaps just having a bit of fun in a character role, or keeping an eye on the future—distant future!—when character roles will be the natural progression for this great artist. [more]

American Ballet Theatre: Shostakovich Trilogy

May 19, 2016

His Shostakovich Trilogy may have been too much of a good thing, somewhat weakened by too many overlapping themes, generally dark moods (with some bright moments, of course) and a sameness of choreographic technique. However, these three ballets displayed his talent for moving dancers around the stage with musicality and dramatic expressiveness and a good ear for Shostakovich’s quick-changing musical themes which often go from ponderous to lighthearted within a few measures. [more]

Julliard Dances Repertory 2016

March 29, 2016

This was a particularly satisfying showing by the Juilliard Dances Repertory. It’s good to know that there is hope for the future of dance represented by these students, all of whom displayed fine technique and understanding of the different works. Also, the respect and care paid to these three choreographic geniuses makes it clear that they won’t soon be forgotten. [more]