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Rite of Spring

Polish National Ballet 2015

June 20, 2015

Judging from this program only, the PNB is firmly in the mainstream of the world’s modern ballet troupes, almost indistinguishable one from the other (viz. Netherlands Dance Theater, Sydney Dance Theater, National Ballet of Spain, Houston Ballet, etc.) Mr. Pastor’s ballets are part and parcel of the international ballet style which I like to call “fun house ballet,” in which classical ballet steps and poses melt into twisty, angular shapes only to coalesce into and be punctuated by recognizable classical vocabulary. William Forsythe, a real iconoclast, began this in his purposely ugly “in the middle somewhat elevated.” The watered-down copies permeate the repertories of many dance companies. [more]

Paul Taylor’s American Modern Dance 2015

April 4, 2015

What became clear over the course of the four performances under review attended were the subtle changes in Mr. Taylor’s work over the years, how his works have become less deep and more oddball. This was a terrific way to see everything from his delightfully lovely “white” ballet, “Aureole” (1962), to his most recent opus, “Death and the Damsel,” a dark, distorted—sadistic, even—view of female sexuality. No matter what period the works come from, and no matter what one thinks of them, they are always models of craftsmanship, design and musicality. [more]