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Richard Eyre

My Name Is Lucy Barton

January 28, 2020

Laura Linney is never one to avoid a challenge. When she last appeared at Manhattan Theatre Club’s Samuel J. Friedman Theatre she was alternating in the roles of “Regina” and “Birdie” in the revival of Lillian Hellman’s "The Little Foxes" and won a Tony Award for Best Actress for her efforts.  Now she is back in an adaptation of Elizabeth Strout’s novel "My Name is Lucy Barton" where she plays both the title character and her mother and is the only performer on stage. Directed as she was in the London production by Richard Eyre, she beautifully captures the tone and voice of Strout’s heroine. [more]

Harold Pinter and Nicholas Hytner: Balancing Acts

January 14, 2018

Nicholas Hytner’s vivid accounts of two striking interactions with Harold Pinter are the standout highlights from his memoir, "Balancing Acts: Behind the Scenes at London's National Theatre." These revealing episodes will thrill devotees of the great and temperamental playwright. [more]

Skylight

April 13, 2015

With its ravishing, precise dialogue, very fine structure, and expertly imparted exposition, Skylight, is a model of accomplished playwriting. Mr. Hare is known for his Leftist political beliefs with which he infuses his plays. Here, in early post-Thatcher Britain, he has his characters eloquently debate their clashing world views, along with differing personal takes on their relationship. [more]

Mary Poppins

September 28, 2006

The musical has inspired many to learn how to sing. The magic comes from Bob Crowley's breathtaking sets and costumes aided by David Benken's technical direction: Mary Poppins flies in and out on her umbrella, people pop out of chimneys, toys become human, birds fly around the theater, and statues break their poses and move. The opening scrim is a blue pen and ink illustration which suggests the world of the P.L. Travers' stories on the printed page. The Banks' house at 17 Cherry Tree Lane, London, is a giant Victorian doll house come to life. Crowley uses brilliant colors in both his costumes and the fantasy sequences to replace the animation that made the Walt Disney film so attractive. [more]