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Raul Esparza

Seared

November 8, 2019

As directed by Moritz von Stuelpnagel, the play is fast-paced and engrossing and the smell of garlic coming from the stage convinces us that real cooking is going on. The completely working industrial kitchen designed by Tim Mackabee is a wonder of economy on the small stage of the Susan & Ronald Frankel Theater at The Robert W. Wilson MCC Theater Space as we watch many meals get prepared in record time. The flaw in the play is that Esparza’s Harry spends so much time ranting about his beliefs and requirements that he becomes both tiresome and unsympathetic. Harry may be an artist fighting capitalist necessities, but he also sabotages his own success. We eventually discover that he is not as ethical as he pretends to be even though he claims not to care about money – or adulations. And as none of the money in the restaurant is his, ultimately he has no say in what is decided. [more]

The Resistible Rise of Arturo Ui

November 17, 2018

The Classic Stage Company's current revival of Bertolt Brecht’s "The Resistible Rise of Arturo Ui" is not the first to draw comparisons between the sitting president and Hitler. In 2002, or the year after 9/11, National Theatre of Actors presented an all-star production in downtown Manhattan – featuring Al Pacino, no less - comparing Ui to Hitler and President George W. Bush. [more]

Cymbeline

August 13, 2015

At The Public Theater’s Shakespeare in the Park venue, director Daniel Sullivan has proved himself a brilliant interpreter of the Bard’s comedies, both dark and light, from the evidence of his "Merchant of Venice," "The Comedy of Errors" and "Twelfth Night," to name only a few. Therefore it is a great disappointment to report that his "Cymbeline," the second and last 2015 Shakespeare in the Park offering, based on his 1999 Old Globe Theatre, San Diego, staging, is both confused and uneven, both visually and theatrically. Even more discouraging, the production wastes the talents of noted stage stars Kate Burton, Raúl Esparza, Patrick Page, and Lily Rabe and Hamish Linklater, the acting couple being reteamed on the New York stage for the fifth time. [more]

City Center Encores production of Jonathan Larson’s “tick, tick..BOOM!”

July 17, 2014

The audience packing City Center--whether applauding or laughing or cheering--certainly showed its enthusiasm throughout. The opening scene of "tick, tick...BOOM!" is very powerfully and economically written. I admire Larson's writing. Hearing those ticks (representing the relentless passing of time), and anticipating the coming boom (of an impending disaster that is somehow sensed without being fully understood) ... well, that came from a deep place. [more]

Company

December 28, 2006

Raul Esparza, the dynamic young actor who made great impressions in such not so great shows as Taboo and Chitty Chitty Bang Bang , plays Robert, whose tainted attitudes about attachment and commitment to women, and specifically to his three concurrent girl friends, appear the direct result of observing his friends' disintegrating relationships. Esparza delivers the insecurities of his character with a brio and confidence that also drives his two big songs "Marry Me a Little" (not in the original show, but restored here as it was in the earlier revival) and "Being Alive." Pivotal as he is, Robert often stands at the outside of his friends' lives as they are revealed in a series of skittish skits. [more]

Chitty Chitty Bang Bang

April 28, 2005

Yes, folks, prepare yourselves - The Car simply takes your breath away. And as you're sitting there gasping at the marvel of it all, you keep reminding yourself of your age. Because by the time Chitty makes her celebrated appearance, you have magically become eight years old again. [more]