Puerto Rican Traveling Theater
Popular Articles
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I want to be clear. "The Music Man" is such a masterfully written musical that making some changes here and there can’t really ruin it; but changes are not needed in this show and they certainly don’t help. I believe in the old saying: “If it ain’t broke, don’t fix it!” I also believe, as Tommy Tune once told me years ago in discussing a different show, many producers and directors feel a need to tinker with shows, making changes for the sake of making changes, even when the wiser choice would be to simply leave things alone. There’s just that desire to “improve” things, whether or not the changes actually improve anything. [more] -
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Random Articles
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Do not expect an exact reproduction of the original which after four revivals is probably to the good. With the consent of lyricist Sheldon Harnick, the only surviving creator, Sher has added a prologue and an epilogue that is new. When the curtain goes up, Burstein dressed in a contemporary parka is standing near an abandoned railway station in Anatevka reading from a book (the original Sholom Aleichem stories? a guide book?) and then he removes his coat revealing that he is in Tevye’s costume and joins the opening scene back in 1905. At the end of the musical, Burstein again in the contemporary parka joins the line of refugees leaving the town on their way to the border and picks up Tevye’s cart. The modern relevance to the current situation in Europe and in the Middle East is made patently clear. [more] -
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