Mothers
The first act of Anna Moench's "Mothers" concludes with a genuine shock as the playwright startlingly upends all of our expectations. Visually punctuated by Wilson Chin's suddenly not-so-stable set, this audacious turn suggests Moench's intermittently funny satire of upper middle-class motherhood at a "Gymboree-style playroom" has only been a prelude to something much more challenging and profound. Unfortunately, what you soon begin to suspect is that Moench just ran out of narrative steam and started writing something else. [more]