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Peter Phillips

The Tallis Scholars: Heinrich Isaac at 500

December 28, 2017

The Tallis Scholars’ most recent turn in the Columbia University Miller Theatre Early Music Series was billed as “Heinrich Isaac at 500.” This concert title wasn’t quite accurate: the evening was a more like a bouquet of music by Isaac (c.1450-1517) and three contemporaries, Josquin des Prez (c. 1450-1521), Nicolas Gombert (c. 1495-1560) and John Browne (1453-c. 1500). – What a fabulous bouquet it was! [more]

The Tallis Scholars: “A Renaissance Christmas”

December 27, 2016

It was a Tallis-perfect performance. Palestrina has long been one of the most sure-fire dazzling jewels in the Tallis Scholars' treasury. In writing sacred music, Palestrina made his particular kind of beauty – elegance, intellect, decorous sensuality – a kind of theology of mediation, a meeting place for the human and the divine. The Tallis precision of diction and tone and their ability to reveal every rhythmic and melodic nuance in the music they sing make Palestrina marvelous. The bright acoustic features of St. Mary the Virgin provide a wash of light on the singing. [more]

The Tallis Scholars: “Christmas Across Centuries”

December 14, 2015

The program itself was a masterpiece of artistic and theological integrity. Pieces by three composers – contemporary Estonian Arvo Part (b.1935), and Renaissance Englishmen John Sheppard (c.1515-1558) and Thomas Tallis (c.1505-1585) – carried the full chronological account of the earthly life of the Word made Flesh, from conception in the Virgin's womb to emergence as the salvation-bearing Lamb of God. The order of the program essentially replicated the Nicene Creed, each piece providing an illumination of a particular narrative or liturgical moment. [more]