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Patti LuPone

ON THE TOWN…. with CHIP DEFFAA , November 8, 2017

November 11, 2017

Memo to Broadway producers: You need to do everything you can to hook the next generation while they're young. I got hooked on theater because I saw the greatest performers, the greatest shows, from when I was very young. It would be very hard for a young person of today to see as much great theater as I did, growing up. When they read about some tickets going for a thousand bucks apiece, they might well conclude that theater isn't meant to be for them, but mostly for rich older folk. I have some friends who work in the theater who say they can't afford to take their families to shows. And that worries me. [more]

War Paint

April 27, 2017

Written by the same team that created the musical version of "Grey Gardens" (Doug Wright, book, Scott Frankel, music, and Michael Korie, lyrics) which gave Ebersole the two best roles of her career, the new show is absorbing, elegant and urbane hewing closely to the facts while at times compressing time and offering a few composite characters. Suggested by the joint biography "War Paint" by Lindy Woodhead and the documentary film, "The Powder and the Glory," the musical tells the parallel stories of the rivalry and careers of these two remarkable women from the 1935 to 1964. As they are never reported to have met, Wright’s book for the musical either alternates their lives or uses a split stage effect to show us both at the same time in their own milieu. Occasionally, they lunch at the St. Regis at the same time but avoid meeting each other seated on their own banquettes. [more]

Saloons: Some Enchanted Evenings

May 14, 2016

Cabaret has always been a mixed bag. The golden age is gone. However, in today's schizo world of nightclubs, things are looking pretty good. It is a milieu unique in the entertainment industry. And, it continues to reinvent itself. The late cabaret critic Martin Schaeffer wrote in Back Stage in 1993,“There cannot be a better night of classic American music than a Bobby Short gig at The Carlyle.” He was right; especially if you're a purist of the Great American Songbook. [more]

The New York Pops: Do You Hear the People Sing

May 4, 2016

Inspired by the musical Olivier! was "La Révolution Française" that was Mr. Boublil Mr. Schönberg’s first collaboration. Created in 1973, this was the first French rock opera and dealt with The French Revolution. The rousing “Parisians, Awake and Rise/ Français, Français” was performed by Ms. Glover, Mr. Jordan, Mr. Scatliffe and Essential Voices USA. The original French Cossette from "Les Misérables," Marie Zamora, was a marvelous Marie Antoinette for the wistful song “Au petit matin/In the early morning.” [more]

Shows for Days

July 13, 2015

The production, directed with oddly erratic pacing by the experienced Jerry Zaks, stars the imperious Patti LuPone as the acidly ambitious Irene, the doyenne of a theatrical troupe in Reading, Pennsylvania, in the early Seventies. Wide-eyed, always ebullient Michael Urie, as Car, Beane’s stand-in, becomes her acolyte/scene painter/receptionist/new playwright in the process of discovering a world his suburban existence never hinted at. He is the author’s glib stand-in who keeps the audience in the loop with apt descriptions, editorial comments and sexual confessions. [more]

TheaterScene.net Cabaret Honors: A First Annual List

February 23, 2015

The eclectic world of cabaret is unique in the entertainment industry. It allows artists' to connect with an audience in an intimate setting. Today, the clubs are ripe with new, rising and mature talents and the beginners who want to make it. But, who are today's torchbearers? Who will make their mark? And, who will take cabaret into its next phase? Time will tell. [more]

Broadway by the Year: The Broadway Musicals of 1965 – 1989

May 26, 2014

"For many of us this was our golden age," said creator, writer and host Scott Siegel in his introduction that for many present devotees of the art form that this evening's presentation was very meaningful as this was the era in which they came of age seeing many of these shows in their original productions and they are quite appreciative of them. [more]

A Chat with Bob Avian

July 12, 2007

The creative forces with whom he has worked are a who’s who of the Broadway musical. They include Steve Sondheim, Kander and Ebb, Cy Coleman, Andrew Lloyd Webber, Claude-Michel Schoenberg, Neil Simon, Hal Prince, Tommy Tune and Cameron Mackintosh. And performers such as Mary Martin, Betty Grable, Barbara Streisand, Katherine Hepburn, Elaine Stritch, Jennifer Holliday, Diana Rigg, Eartha Kitt, Patti Lupone, Glenn Close, Julie Andrews and Carol Burnett, just to name a few. [more]

Sweeney Todd

November 28, 2005

Doyle's innovative approach dispenses with set changes while placing the action in a black and white arena that suggests a dreary psychiatric ward. The story begins with a terrified young man in a straitjacket surrounded by people in white robes. As he sings the musical's opening words "Attend the tale of Sweeny Todd," we are summoned into his disturbing world. There is no turning back. The effect was as if someone had snapped a whip and commanded our attention. [more]