Myung Hee Cho

As You Like It (Public Works)

September 3, 2022

Public Works’ musical adaptation of "As You Like It" is an enchanting evening of summer fun under the stars. Trimmed to a long one act, the story is accessible for both those who know the Shakespearean original and those who don’t. The score is always easy on the ears and has many crowd pleasers. The huge cast led by Rebecca Naomi Jones as Rosalind and including non-professional community partners is totally comfortable with the Elizabethan language and the contemporary score by Shaina Taub. With this show, Shakespeare in the Park has a real winner. [more]

Richard III (Free Shakespeare in the Park)

July 11, 2022

And of his behavior Richard continues to explain, “And therefore, since I cannot prove a lover, I am determined to prove a villain.” In this production we see none of this though this speech comes near the beginning of the play. What we are offered is a one-dimensional action production which dilutes the play and entirely throws out historical authenticity. While Dede Ayite’s costumes are mostly period there are entirely modern touches like the two young princes, sons of the previous king, wearing gold sneakers. Instead, Richard is surrounded with people who have disabilities or physical challenges which somehow turns the play on its head: Lady Anne in a wheelchair, two deaf actors use sign language, Richmond (later King Henry VII) has cerebral palsy, and one of the courtiers who plays several roles is a dwarf. Nice to give all of these actors work but in this play it reverses the focus of the story and theme. [more]

for colored girls who have considered suicide/when the rainbow is enuf

April 30, 2022

This Broadway production, a godchild of a recent 2019 production at The Public Theater (directed by Leah C. Gardiner), is directed and choreographed by modern dance luminary Camille A. Brown (who choreographed The Public Theater version, hence the pedigree). Her take on Shange’s work is more matter of fact and streetwise than previous productions, her choreographic vision adding depth to the playwright’s vernacular, profane expressions of the consciences of a community of hard-pressed women. [more]

For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf

November 12, 2019

Seven vibrant and diverse women of color take the stage and speak, sing and dance at the start of this shining revival of author Ntozake Shange’s landmark play, "For Colored Girls Who Have Considered Suicide /When the Rainbow Is Enuf." They’re wearing costume designer Toni-Leslie James’ beautiful fluorescent dresses, each in a different color, and some have regal headpieces. The dynamic cast of Sasha Allen (Lady in Blue), Celia Chevalier (Lady in Brown), Danaya Esperanza (Lady in Orange), Jayme Lawson (Lady in Red), Adrienne C. Moore (Lady in Yellow), Okwui Okpokwasili (Lady in Green), and Alexandria Wailes (Lady in Purple) vividly perform Ms. Shange’s self-invented “choreopoem,” a theatre piece embracing poetry, movement, and music. Each of these magnetic performers brings distinction and individuality to their roles. [more]

In the Body of the World

February 20, 2018

"Body" dovetails Ensler’s personal agonizing battle with cancer and her involvement with a feminist group in the Democratic Republic of Congo where women have faced violence, rape and almost unending disruption of their lives. Ensler’s input was requested by Dr. Denis Mukwege, a Congolese gynecologist whose ministrations to the female victims of the sadism of soldiers and government officials paints a litany of one tragic event after another. [more]