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Mondo Morales

Denishawn: Dances by Ruth St. Denis & Ted Shawn

October 3, 2021

The dances on this program are perfect examples of the Denishawn aesthetic which combined what was then exoticism with impeccable theatricality.  The Denishawn troupe was very much of its time, the early twentieth century. The modern dance giants that came out of this artistic sensibility—Martha Graham, Doris Humphrey and Charles Weidman in particular—revolted against the exoticism to find a modern way of expressing themselves through movement, the way that artists who were their contemporaries put distance between them and the Impressionists.  These modern dance pioneers learned the ins and outs of dramatic presentation as they forged new dance forms. [more]

Ariel Rivka Dance: 10th Anniversary Season

September 12, 2017

Ms. Grossman tended toward overuse repetition of movements and arm gestures. Emotional states were supported by little else than the titles and her husband’s gemlike scores. “No Words,” to a score composed and played by Mr. Homan, opened the program. His music sounded like an anguished string quartet to which she made an honest stab at using gesture and arrangement of the eight dancers to express the anger and loss in a poem, “Fury: In Praise of Stone,” by Janet R. Kirchheimer and Jaclyn Piudik, which was printed in the program. [more]