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Moliere

Tartuffe

November 1, 2017

Complementing his gorgeous stage pictures, director Craig Smith’s vibrant staging has the actors in constant motion on the small playing area.  The cast precisely paces, dashes and undulates, achieving a propelling pace and focus. Chanting monks roaming through the audience is an eerie highlight.  Slapstick, high comedy, bawdiness and dramatic truth are all vividly rendered by Mr. Smith’s superior sense of stagecraft. [more]

The Stratford and Shaw Festivals 2017

September 15, 2017

Apart from two years ago, when personal developments required me to cancel my scheduled trip at the last minute, the present summer marked my 18th consecutive year at the Shaw Festival at Niagara-on-the-Lake and my 12th at the Stratford Festival--both in Canada. (Stratford is about a 90-minute drive from the Toronto airport, and Niagara-on-the-Lake is an hour or so from Buffalo.) What any theatergoer who’s never been to either Festival doesn’t know is that each is the best-kept theatergoing secret in North America. That’s because they are true repertory theaters, and there’s nothing to compare with seeing the same actor in one play in the afternoon and then in a very different production in the evening. And for the most part, every actor in each company is doing just that: there are matinees and evening performances every day of the week, except for Monday, when both Festivals are dark. (Each Festival also has four different theaters.) [more]

Don Juan

May 27, 2015

The Pearl Theatre Company’s express aim in reviving this curiosity according to translator Jess Burkle, responsible for this world premiere adaptation, is “to connect the experience of the play in the original French to American audiences in 2015.” Burkle’s method is to use “alliteration, idiom, and mixed metaphor” as “the key to getting us all to pay attention to Moliere’s glowing words.” Much of the problem with Hal Brooks’ production is that while all of the characters aside from Don Juan (who is clothed as a rock star) are dressed in 17th century costumes, the text is made up of contemporary language. [more]