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Maya Bassuk

Tomorrow We Love

March 11, 2020

There is plenty of over-the-top acting, physical antics and far-fetched story lines, all perfectly acceptable ingredients for a zany gender-bending farce. The only thing missing are the laughs. Even the high school-quality set design by Ryan Goff and delightful costumes by Jimmy Moon are on par for this campy send up of a 1950’s rom-com. Ultimately, Vause’s script reads funnier than it plays, so there is more amiss than the smoking gun in this screwball comedy. [more]