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Matthew Jeffers

Moscow Moscow Moscow

July 30, 2019

Halley Feiffer's new comedy, the obsessively titled "Moscow Moscow Moscow Moscow Moscow Moscow," is an intermittently funny ten-minute parody of Anton Chekhov's "Three Sisters." Unfortunately, it goes on for another hour and twenty-five minutes, tiresomely recycling jokes and shallow insights until you begin to wonder if Feiffer actually read the Russian playwright's work or just a Wikipedia synopsis for her cooler-than-thou "adaptation," which seems motivated by a strange desire to ridicule not only Chekhov's characters but also anyone who might feel bad for them. So, be forewarned, if you have an ounce of sentimentality in your soul, it may seem as if the laughter heard during the production (and, to be fair, there was a lot of it) is to some extent directed at you. [more]

Thunderbodies

October 29, 2018

In Kate Tarker's satiric "Thunderbodies," America is a relentlessly strange place, where people spout nonsense, act without reason, and are led by the narcissistic man-baby they've elected president. To state that the playwright has hit the nail right on the head might sound like a compliment, but it's not, mostly because Tarker accomplishes this small feat with very little wit and even less insight. Substituting outrageousness for both, she tosses the play down a Rabelaisian rabbit hole, desperately trying to hold on to our attention at the cost of anything that might demand just a little bit more. [more]

Light Shining in Buckinghamshire

May 14, 2018

There’s a brilliant play buried somewhere in Caryl Churchill’s "Light Shining in Buckinghamshire," a bottom-up historical epic about the English Civil War that the acclaimed British writer developed collaboratively with director Max Stafford-Clark and a group of actors back in 1976. Fifteen years later, it premiered stateside at the New York Theatre Workshop, where it has just returned for a ploddingly drawn-out second go-around that yielded a lot of empty second-act seats on the night I attended. [more]